| The film Baraka introduces a variety of views | | | | philosophy. These could also translate to a cause, |
| regarding religion and spirituality within the larger | | | | principle, or system of belief held in general by a |
| context of the human experience. It actually | | | | religious faith. |
| embraces the ideas of religion and spirituality in | | | | Alternatively, the film shows spirituality as the |
| ways many would find some relevancy in their | | | | sustaining breath and transformative process |
| practice based on the silence nature of the film, | | | | which extends religion to a viable, inspiring, and |
| and the lack of vocal articulation by the | | | | sustainable life inside a person. According to the |
| characters portrayed throughout the film. Actually, | | | | film, the essence of spirituality is generated from |
| the views taken by the film on this subject are | | | | inside an individual. On the other hand, religion lies |
| expansive and exceed that of a tunnel vision view | | | | outside. Actually, spiritually cannot be given to a |
| regarding religion and spirituality. | | | | person unless the creator connects with that |
| In essence, this film embraces the ideas of religion | | | | person or the person with the creator; however, |
| and spirituality in the larger context of the human | | | | an organization is capable of imposing religion |
| experience in various ways for individuals from | | | | based on the person's undedicated consent and |
| different cultures and societies across the globe. | | | | the influential power of an organization. |
| First and foremost, the film depicts the | | | | Based on the film, one is able to see that |
| development of religion primarily around social | | | | spirituality comes from inside; alternatively, religion |
| cultures, norms, and traditions. These depictions | | | | comes from outside. Spirituality is then embedded |
| have become some of the ways individuals are | | | | in self understanding of one's reality by submission |
| influenced by social behaviors stemming from the | | | | to a higher power. The higher power in this regard |
| application and use of moral persuasion within their | | | | is the demonstrated belief and faith that is |
| societies and cultures. | | | | beyond the person's intellect; such a power one |
| Based on the above, one could infer that these | | | | would normally find in the persona of God, who is |
| behaviors embrace religion in different ways and | | | | an archetypal in nature. As shown in the film, |
| influence commitment or devotion for a particular | | | | when one is settled in solitude and nature one will |
| religious faith or observance based on individual | | | | come to find God in one's heart as a "Supreme |
| beliefs. Such beliefs also equate to that of a | | | | Power," which brings about the essence of |
| person's inclination or institutionally embedded | | | | spirituality as an extension of religion. |
| bearing, attitude, disposition, practice, or | | | | |